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I doubt that somebody who went only to high school and working in a factory—I doubt he wakes up and says ” Well, by gosh at lease I don’t have all this humanistic learning that I’m not using” I don’t Imagine that he’s any more satisfied or more nourished inside by his job, either. What you and I are apart is a class and generation that can be very articulate about what our complaints are, and what we’re feeling uneasy about. And I think if there’s something that characterizes our generation is not that we’ve come up with new problems or brilliant new solutions, but that we’re endless verbal about it… which is probably a start, at least being willing to talk about it.
I wish you way more than luck

A liveblog to agree or disagree with along the way.

http://tradepaperbacks.wordpress.com/wordswordswords/

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nmrealabstract:

David Lipsky Road Trip Audio (The David Foster Wallace Audio Project)

Although, of course you end up becoming yourself.

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Long As I Can See the Light by Creedence Clearwater Revival from the album: Chronicle Volume One

heymikewaskom:

So the first thing I thought when I realized that it is David Foster Wallace’s birthday was, “Put a candle in the window,” And so, I allowed myself to sit for a few minutes and be sad, mainly for the many selfish reasons and excuses that we give when we hear of someone’s suicide: “But he had so much to offer!”, “His poor family,” etc. We’re mad, because we don’t have that person any longer, we don’t have what they gave us. Perhaps we’re righteously angry about this, but maybe not?

The hard truth is, that people don’t hang themselves by accident, and conversely they don’t write thousand plus page novels accidently. David choose to write, and we accepted that as his choice. He choose to remove himself from this world, which we too, must accept.

And so I think to myself, “As long as I can see the light”, which means whatever you need it to mean for you, right now.

I’m Reading Infinite Jest.

brightwalldarkroom:

Today would have been author David Foster Wallace’s 50th birthday. In honor of that, we humbly offer up this excerpt and link to the greatest thing he ever wrote about film, an essay of sorts on David Lynch’s Lost Highway. 
——————
6. WHAT ‘LYNCHIAN’ MEANS AND WHY IT’S IMPORTANT 
AN ACADEMIC DEFINITION of Lynchian might be that the term “refers to a particular kind of irony where the very macabre and the very mundane combine in such a way as to reveal the former’s perpetual containment within the latter.” But like postmodern or pornographic, Lynchian is one of those Porter Stewart-type words that’s ultimately definable only ostensively-i.e., we know it when we see it…
…For me, Lynch’s movies’ deconstruction of this weird irony of the banal has affected the way I see and organize the world. I’ve noted since 1986 (when Blue Velvet was released) that a good 65 percent of the people in metropolitan bus terminals between the hours of midnight and 6 A.M. tend to qualify as Lynchian figures-grotesque, enfeebled, flamboyantly unappealing, freighted with a woe out of all proportion to evident circumstances … a class of public-place humans I’ve privately classed, via Lynch, as “insistently fucked up.” Or, e.g. we’ve all seen people assume sudden and grotesque facial expressions-like when receiving shocking news, or biting into something that turns out to be foul, or around small kids for no particular reason other than to be weird-but I’ve determined that a sudden grotesque facial expression won’t qualify as a really Lynchian facial expression unless the expression is held for several moments longer than the circumstances could even possibly warrant, until it starts to signify about seventeen different things at once. 
- In Which Novelist David Foster Wallace Visits the Set of David Lynch’s New Movie and Finds the Director Both Grandly Admirable and Sort of Nuts
(Premiere Magazine, September 1996)

brightwalldarkroom:

Today would have been author David Foster Wallace’s 50th birthday. In honor of that, we humbly offer up this excerpt and link to the greatest thing he ever wrote about film, an essay of sorts on David Lynch’s Lost Highway

——————

6. WHAT ‘LYNCHIAN’ MEANS AND WHY IT’S IMPORTANT

AN ACADEMIC DEFINITION of Lynchian might be that the term “refers to a particular kind of irony where the very macabre and the very mundane combine in such a way as to reveal the former’s perpetual containment within the latter.” But like postmodern or pornographic, Lynchian is one of those Porter Stewart-type words that’s ultimately definable only ostensively-i.e., we know it when we see it…

…For me, Lynch’s movies’ deconstruction of this weird irony of the banal has affected the way I see and organize the world. I’ve noted since 1986 (when Blue Velvet was released) that a good 65 percent of the people in metropolitan bus terminals between the hours of midnight and 6 A.M. tend to qualify as Lynchian figures-grotesque, enfeebled, flamboyantly unappealing, freighted with a woe out of all proportion to evident circumstances … a class of public-place humans I’ve privately classed, via Lynch, as “insistently fucked up.” Or, e.g. we’ve all seen people assume sudden and grotesque facial expressions-like when receiving shocking news, or biting into something that turns out to be foul, or around small kids for no particular reason other than to be weird-but I’ve determined that a sudden grotesque facial expression won’t qualify as a really Lynchian facial expression unless the expression is held for several moments longer than the circumstances could even possibly warrant, until it starts to signify about seventeen different things at once.

- In Which Novelist David Foster Wallace Visits the Set of David Lynch’s New Movie and Finds the Director Both Grandly Admirable and Sort of Nuts

(Premiere Magazine, September 1996)

peterwknox:

David Foster Wallace would have been 50 today.
(via WORMBOOK)

Put a candle in the window.

peterwknox:

David Foster Wallace would have been 50 today.

(via WORMBOOK)

Put a candle in the window.

meredithturits:

(In)Fin.(ite)

meredithturits:

(In)Fin.(ite)

peterwknox:

Michael Pietsch, Little Brown editor, is one of my publishing heroes, having edited DFW so well. #dbw12 #dbwauthpub

peterwknox:

Michael Pietsch, Little Brown editor, is one of my publishing heroes, having edited DFW so well. #dbw12 #dbwauthpub

Attachments are of great seriousness. Choose your attachments carefully. Choose your temple of fanaticism with great care. What you wish to sing of as tragic love is an attachment not carefully chosen. Die for one person? This is a craziness. Persons change, leave, die, become ill. They leave, lie, go mad, have sickness, betray you, die. Your nation outlives you. A cause outlives you.
Infine Jest by David Foster Wallace (via meredithturits)